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Showing posts with the label PUBLIC INTEREST

DO NOT CROSS THE LINE

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  A few days back, I was driving home from the neighbouring city. Seeing the painstakingly laid and beautifully crafted white line continuously snaking along like an endless work of art on the road, I asked my wife, “Saw that line?” We were negotiating a blind curve on the road. Both sides of the road had white lines clearly showing the edges. The broad line with reflectors in the middle of the road was meant to separate the traffic, and drivers are expected to keep their vehicles within their side of the line. Roads in this part of the country have many curves and gradients. They are well-marked and take on a high density of traffic. Almost all trucks on Indian roads have their rears marked with “Blow Horn” along with other funny and sometimes philosophical quotes. Unlike in the West, where honking is considered uncivil, here, signage asking drivers to ‘blow horn’ can be found along the road, across the country.  Before my wife could answer, a car, without any warning, overto...

JOSEPH GOEBBELS NEVER VISITED KERALA

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  “Veettil Oonu,” ( വീട്ടിൽ ഊണ് ), the board outside the roadside restaurant in the town screamed. The two Malayalam words literally mean 'home food’. Everyone knows that home food is prepared and served at home. The restaurant that screamed ‘home food’ was neither home nor homely. It kept the hearth going for its owners and workers. Such boards are common along the length and breadth of Kerala. How can anyone buy ‘home food’ in a wayside restaurant? Everyone knows it is a blatant lie.  If you walk into such a restaurant hoping to eat something homely, you could be disappointed. The food they serve is a ‘meal’ sold in all restaurants across Kerala. ‘Meals,’ for the uninitiated, means an unlimited supply of rice and curry, served on a banana leaf or plate. If you thought Veettil Oonu would be cheaper than normal meals in other restaurants, maybe if you are lucky, you could be right. Anyway, people still walk in knowing that the board screams untruth. The name sells. Why are na...

KUNDIL VEENA CHUNDELI - LESSONS IN LEADERSHIP (Corporate and others)

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  “Kundil Veena Chundeli” is in Malayalam and means “mouse that fell in a ditch . “History repeats itself” is an idiom that finds frequent mention nowadays. Both sides, especially in animated television discussions that become no-holds-barred debates, use it at will. The events that unfold daily across the world somehow give me the impression that the contemporary is often a repetition of the past, and we, in our own little ways, are all part of this great drama. To make things clearer, let me share a Malayalam story I learned as a child in the second or third grade. The story seems to repeat endlessly, though the characters keep changing. Let me narrate the story, giving it a contemporary flavour. The story Once upon a time, a mouse landed up in a kitchen in search of food. Without much problem, he found two “ neyyappams ” (a Malayali sweet and my childhood favourite) wrapped in a newspaper. Without waiting to eat, he picked up the packet and walked. He wanted to reach h...

DISCOVERY OF THE DEADLY COCKTAIL - 1965 INDIA PAKISTAN WAR

  In the previous part of the article, we dealt with the political situation in Pakistan in 1965.  India Post-Independence Despite the 1962 war, India's internal politics were generally peaceful. Attention was focused on the growth of the country. The country had inherited an economy in a dire state. Much of the population was living on farm-related income. Industrialisation was the need of the hour. Strong foundations had to be put in place. Political leaders of that time realised the necessity of long-term planning to ensure the nation's progress and prosperity. The concept of five-year plans was thus born. The first five-year plan (April 1951 to March 1956) was launched by Pandit Jawaharlal Nehru. Interestingly, the total outlay of the first 5-year project was ₹2,069 crores, which was later revised to ₹2378 crores. Irrigation and energy (27.2%), transport and communication (24%), agriculture and community development (17.4%), and social services, including education and hea...

ON OUR JOURNEY IN SEARCH OF THE UNPARALLELED – THE 1965 WAR

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  Ferocity, in battles on the land and duels in the air, was the hallmark of the second Indo-Pakistan war of 1965. Many books have been written, on both sides of the border, about the war and its battles, both in the air and on the land. Carefully researched facts, figures, and diagrams outlining the progress of operations lend an essence of authority to the work. Each story, replete with grit and valour, with all the attendant ghastly details finely woven in, makes compelling narratives that deify domestic military heroes and demonise the adversary. Straying from the truth while writing about battles is an honourable compulsion, soaked in nationalism. After all, war has never been about absolute truth, and history, the narrative of the victor.  But what happens when both parties declare themselves victors? Deja Vu? This article, like the previous three on India’s unparalleled wars, will not take us through individual battles. We will navigate mostly through the causes to...

Part 3: Fight About The McMahon Line

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Defining India-China Relationship  India’s War with China started on 20 October 1962, when China launched simultaneous attacks in Ladakh and Arunachal Pradesh, then called NEFA. The war ended on 21 November 1962, when China unilaterally declared a ceasefire. China withdrew from all areas it had captured, but not from the Aksai Chin area. Official details of the month-long conflict remain largely opaque to this day in India, locked away in classified documents. However, we often come across bits and pieces, carefully curated for political returns.  The shroud over bilateral relations between India and China notwithstanding, the two most populous neighbours remain locked in distrust and domestic denials, despite growing trade between them. The occasional glimmers of hope in the relationship often end up being extinguished by disappointments, and every photo opportunity, from the “ Hindi-Chini, bhai-bha i” days to the contemporary “riverside spectacle,” eventually turned out to b...